Lost in translation: Chris McCormack finds muddled meanings in Romantika’s adaption of Tomas Tranströmer’s poetry.
Dream big, my son: Chris McCormack sees Trygve Wakenshaw take to the stage with a co-star toddler.
Illusions and worship: Chris McCormack reviews an acrobatic take on Fritz Lang’s Metropolis.
Like bottling a hurricane: a confused staging of the proto-absurdist classic.
Daniel Bye’s new performance is an exploration of borders, solidarity and revolt.
Inspired by a destroyed Syrian city, this playful performance burns with violence.
From prosperity to crash: Chris McCormack invests real money in Ontroend Goed’s immersive, banking-inspired show.
Voices from beyond the grave: Chris McCormack makes contact with the spirit realm in Darkfield’s new installation.
Space for freethinking: Chris McCormack reviews the Abbey Theatre’s adaptation of a Ken Loach film.
Dreaming of a new destination: Chris McCormack reviews a double bill of two short plays by Tennessee Williams.
Strindbergian in intensity: Chris McCormack reviews Donnacha Dennehy and Enda Walsh’s new opera.
A magical flourish: Chris McCormack reviews Collapsing Horse’s production of a surreal Chekhovian comedy.
A vivid plane of toxic femininity: Chris McCormack reviews Druid’s revival of Mark O’Rowe controversial play.
“A blast of bitter wilderness”: Chris McCormack reviews Conall Morrison’s chilly musical adaptation of Georg Büchner’s unfinished classic.
Heading towards the green light: Chris McCormack reviews an immersive staging of F. Scott Fitzgerald’s famous novel.