Chris McCormack reviews Stephen Sondheim’s musical about nine people who attempted to assassinate US presidents
Losing steam: Irish National Opera’s first production runs out of ideas and invention.
A meditation on the writer: Chris McCormack reviews an experimental piece of theatre inspired by Samuel Beckett
Voicing the fears of refugees: Catherine Young’s new work explores the life of asylum seekers in Ireland.
Abstracted grief: Cillian Murphy stars in a story of loss, adapted by Enda Walsh.
Mission Abort: Tara Flynn’s one-woman play with songs is a surprising satire on Ireland’s treatment of women.
Teetering on cliché: Margaret Perry’s debut play loses steam in Cathal Cleary’s production.
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth
Falling apart: Patrick J. O’Reilly’s physical play is an absurd exploration of mental health.
Inner city pressure: Colin Murphy’s documentary play slides sideways into farce.
Playing with fire: Osborne’s classic play takes on new meaning in light of #MeToo.
Crying for help: Mark O’Rowe’s new drama asks disturbing questions about loneliness.
This feels like progress: John B. Keane’s tragedy is injected with new meaning by Garry Hynes.
Chris McCormack reviews John O’Donovan’s play that brings “the heartbroken gay men of rural Ireland to the stage”.
A propelling thriller with a clear villain: Chris McCormack reviews an interactive play where the audience get to decide what’s right.