Dangerously charged: Catherine Love reviews Footprint Theatre’s performance of Daniel in Manchester.
Belongs to another place: Catherine Love reviews a stage adaptation of Ted Hughes’ prose poem.
A thing of then and now and whatever the hell might be next: Catherine Love reviews Cock and Bull, two years on from when it was made.
Death. Illness. Identity: Catherine Love reviews the Sick! Festival in Manchester.
This is unquestionably about identity: Catherine Love reviews Lucy Jane Parkinson in JOAN.
Somewhere across the icy waters: Catherine Love reviews Liz Nunnery’s WWII play with songs.
An uncertain piece of theatre in uncertain times: Catherine Love reviews Powder Keg’s performance as part of PUSH festival 2017.
We don’t just see the ethical conundrums faced by factory owners; we experience them: Catherine Love reviews World Factory.
Taking back control: Catherine Love reviews Two Destination Language’s show about modern masculinity.
“Looking for a face to blame”: Catherine Love reviews a post-apocalyptic drama staged in a derelict building in Bradford.
The loving mixture of homage and piss-take: Catherine Love reviews Kill The Beast at The Lowry.
Catherine Love discusses RashDash’s Two Man Show and what it says about masculinities, uncertainty and the patriarchy.
Catherine Love encounters a “a Choose Your Own Adventure storybook of performance” at Emergency Festival in Manchester.
Catherine Love reviews Maxine Peake’s “compelling and impressively fresh” performance as Blanche DuBois.
Anthony Neilson’s new play, ‘Unreachable’, opens at the Royal Court this week. Catherine Love sits in on the rehearsals, and explores mainstream theatre’s reluctance to stage devised work.