Catherine Love News & Comment Editor
Catherine is a freelance arts journalist and theatre critic. She writes regularly for titles including The Guardian, The Stage and WhatsOnStage. She is also currently an AHRC funded PhD candidate at Royal Holloway, University of London, pursuing research into the relationship between text and performance in 21st century British theatre.
Poetry as activism.
Pentabus take Rory Mullarkey's World War One play, Each Slow Dusk, on a rural tour.
Barrel Organ discuss unpredictability and the evolution of their debut show, Nothing.
Speech Bubbles, storytelling in primary schools, and the importance of everyday theatre.