A muted experiment: Arjun Sajip writes on Nicholas Hytner’s staging of a bestselling thriller.
Blood cells and viruses: Arinzé Kene’s solo show is a complex exploration of gentrification and representation.
Feels more like a product of Hollywood than the film: Arjun Sajip reviews the West End premiere of The Exorcist adapted for the stage.
Arjun Sajip reviews de Roovers’ eccentric but fun version of Arthur Miller.
An exuberant, unflagging evening of entertainment: Arjun Sajip reviews Sleeping Trees’ double bill at Incoming festival.
Arjun Sajip reviews a story of how one woman’s dreams go down the pan, set against a backdrop of legendary Nigerian musician Fela Kuti’s music.
A wet mist or haze coming inland from the sea: Arjun Sajip reviews Tallulah Brown’s new play at the Old Red Lion.
“Once upon a time…” Arjun Sajip reviews Lilac Yosiphon’s play about long-distance relationships during wartime.
No-one escapes bringing their baggage to bed with them: Arjun Sajip reviews Max Gill’s adaptation of La Ronde.