“Jazz shoes and American Apparel-esque cycling shorts”: Anna Winter reviews L.A. Dance Project’s triple bill.
Anna Winter
Articles by Anna Winter
17 June 2016
Reviews • Stoke-on-Trent
Review: Jane Eyre at the Regent Theatre
Regent Theatre ⋄ 15th June 2016
By Anna Winter
“Clever, moving and splendidly danced”: Anna Winter reviews Northern Ballet’s performance of Jane Eyre, with choreography from Cathy Marston.
6 June 2016
Reviews • London Theatre • West End & Central
Review: Swan Lake in-the-round at the Royal Albert Hall
Royal Albert Hall ⋄ 1st - 12th June 2016
By Anna Winter
“Meatloaf-esque quantities of dry ice”: Anna Winter reviews the English National Ballet’s performance of Derek Deane’s take on Tchaikovsky.
27 May 2016
Reviews • London Theatre • OWE & Fringe
Review: 1984 at Sadler’s Wells
Sadler's Wells ⋄ 24th - 28th May 2016
By Anna Winter
Compelled to be an avid observer: Anna Winter reviews Jonathan Watkins’ production of Orwell for Northern Ballet.
24 May 2016
Reviews • London Theatre • West End & Central
Review: Frankenstein at Odeon, Covent Garden
Covent Garden ⋄
By Anna Winter
“Scarlett needs to take a scalpel and an unsentimental eye to his own bulky creation”: Anna Winter reviews a live screening of the Royal Ballet.
23 May 2016
Reviews • Dance
Review: NDT2 Mixed Bill at Sadler’s Wells
Sadler's Wells ⋄ 17th -20th May 2016
By Anna Winter
“A great lampoon of pretentious postmodern artspeak” Anna Winter reviews NDT2 in a mixed bill performance.
13 May 2016
Reviews • Dance
Review: Rambert: Murder, Mystery and a Party at Sadler’s Wells
Sadler's Wells ⋄ 10th - 14th May 2016
By Anna Winter
“A sensual Caipirinha-soaked samba-fest” Itzhik Galili’s A Linha Curva is the highlight of Rambert’s mixed bill at Sadler’s Wells.
25 April 2016
Reviews • Dance
Review: Life at Sadler’s Wells
Sadler's Wells ⋄ 20th - 24th April 2016
By Anna Winter
“Answering death with disco”: Anna Winter reviews BalletBoyz’s double bill at Sadler’s Wells.
15 April 2016
Reviews • Dance
Review: The Winter’s Tale at ROH
Royal Opera House ⋄ 12th April - 10th June 2016
By Anna Winter
Pursued by a bear en pointe: Anna Winter reviews Christopher Wheeldon’s choreographing of Shakespeare.
11 April 2016
Reviews • Dance
Review: In-Nocentes at Sadler’s Wells
Sadler's Wells ⋄ 7th April 2016
By Anna Winter
“The sense of innocence not as naivety or vulnerability but as a strength.” Anna Winter reviews the National Youth Dance Company at Sadler’s Wells.
6 April 2016
Reviews • Dance
Review: Triptyque at Sadler’s Wells
Sadler's Wells ⋄ 1st - 2nd April 2016
By Anna Winter
Anna Winter watches Canadian dance company Les 7 doigts de la main take on gravity.
24 March 2016
Reviews • Dance • Reviews
Review: Giselle at the Royal Opera House
Royal Opera House ⋄ 26th February - 16th April 2016
By Anna Winter
“Your mama is always right about dubious men.” Anna Winter reviews the Royal Ballet.
15 February 2016
Reviews • Dance
Review: After the Rain / Strapless / Within the Golden Hour at Royal Opera House
Royal Opera House ⋄ 12th February - 11th March 2016
By Anna Winter
When Madame X’s dress started to fall: Anna Winter reviews Christopher Wheeldon’s new ballet.
9 February 2016
Reviews • Dance
Review: LIVEVIBE Generations at Peacock Theatre
Peacock Theatre ⋄ 6th February 2016
By Anna Winter
Anna Winter reviews Hakeem Onibudo and Impact Dance’s celebration of hip hop, street and African-inspired dance.
28 January 2016
Reviews • London Theatre • West End & Central
Review: The Cloak of the Dragon at London Palladium
London Palladium ⋄ 25th January 2016
By Anna Winter
‘The whole thing is unremittingly grim, and moves from banal to offensive’: Anna Winter emerges from the world of ‘sub-prime Coppelias and knock-off Nutcracker dolls’.