Andrew Edwards, Author at Exeunt Magazine

16 May 2017

Reviews • Dance • Reviews

Review: Hidden Architectures at Dance International Glasgow

May 9 - May 10

By Andrew Edwards

Things untangle, things change: Andrew Edwards is mesmerised by Saffy Setohy’s “hugely generous” new performance installation at Dance International Glasgow.

9 May 2017

Reviews • Dance • Reviews

Review: Velvet Petal at Dance International Glasgow

May 6 - May 7

By Andrew Edwards

Beautiful images of growth, change and rebirth: Andrew Edwards is mesmerised but left cold by Fleur Darkin’s eclectic Scottish Dance Theatre show at Tramway.

6 May 2017

Reviews • Dance • Reviews

Review: SPOTTED at Dance International Glasgow

May 3 - May 4

By Andrew Edwards

And we wait: Andrew Edwards is both excruciatingly bored and enormously impressed by Margrét Sara Guðjónsdóttir’s inertia-ridden show.

6 May 2017

Reviews • Dance • Reviews

Review: material / rearranged / to / be at Dance International Glasgow

April 21 - April 30

By Andrew Edwards

So much room to breathe: Andrew Edwards spends hours at Siobhan Davies Dance’s multi-faceted installation at Tramway.

25 April 2017

Reviews • Dance • Reviews

Review: VOID at Dance International Glasgow

April 21 - April 22

By Andrew Edwards

Other-worldly, historic and contemporary all at once: Andrew Edwards reviews Dance International Glasgow’s urban re-siting of this JG Ballard inspired solo dance show.

8 April 2017

Reviews • Edinburgh

Review: Girl in the Machine at Traverse Theatre, Edinburgh

Traverse Theatre ⋄ 3 - 22 April 2017

By Andrew Edwards

Watching the world come to a standstill: Andrew Edwards reviews Stef Smith’s new play about technology and human connections.

10 March 2017

Reviews • Glasgow

Review: Discourse or Intercourse / Talking & Fucking at Take Me Somewhere, Glasgow

CCA ⋄ 7 March 2017

By Andrew Edwards

“Gently exposes its audience’s attitudes”: Andrew Edwards reviews an immersive performance examining the spaces where people with disabilities are both users and creators of pornography.

2 March 2017

Reviews • Glasgow

Review: #negrophobia at Take Me Somewhere, Glasgow

Tramway ⋄ 26 February 2017

By Andrew Edwards

Extraordinary in its range, excess and incision: Andrew Edwards reviews Jaamil Olawale Kosoko’s “challenging, necessary and entirely relevant” work as part of the Take Me Somewhere festival.

11 February 2017

Reviews • Glasgow

Review: The End of Things at CCA, Glasgow

CCA ⋄ 7 - 8 February 2017

By Andrew Edwards

The qualities of agony, anxiety and desire contained within endings: Andrew Edwards reviews Company of Wolves’ new work in Glasgow.

6 February 2017

Reviews • Edinburgh

Review: A House In Asia at the Traverse Theatre, Edinburgh

Traverse Theatre ⋄ 3 February 2017

By Andrew Edwards

A present tense of terror: Andrew Edwards reviews Agrupación Señor Serrano’s performance at the Manipulate festival 2017.

3 February 2017

Reviews • Edinburgh

Review: Cities at Traverse Theatre, Edinburgh

Traverse Theatre ⋄ 1 February 2017

By Andrew Edwards

Where in the city do you belong? Andrew Edwards reviews the UK premiere of Théâtre De La Pire Espèce’s imaginary urban spaces work.

31 January 2017

Reviews • Edinburgh

Review: Fisk at the Traverse Theatre, Edinburgh

Traverse Theatre ⋄ 28 January 2017

By Andrew Edwards

Boat building: Andrew Edwards reviews Tortoise in a Nutshell’s opening performance at Manipulate 2017.

20 September 2016

Reviews • Glasgow • National • Reviews

Review: MayBe at Tramway

Tramway ⋄ 17th - 18th September 2016

By Andrew Edwards

A love that contorts, twists, fades, appears, shatters: Andrew Edwards concludes the Unlimited festival in Glasgow with a beautiful work by the Marc Brew Company.