Seems to push at the boundaries of your brain: Andrew Edwards reviews Robbie Thomson’s work as part of Sonica 2017.
Andrew Edwards
Articles by Andrew Edwards
1 November 2017
Reviews • Glasgow
Review: AquaSonic at Tramway, Glasgow
26 – 28 October 2017
By Andrew Edwards
A noise not possible on dry land: Andrew Edwards reviews Between Music’s performance playing custom-made musical instruments underwater.
2 October 2017
Reviews • Glasgow
Review: The Coolidge Effect at Tron Theatre, Glasgow
27 – 30 September 2017 (and touring)
By Andrew Edwards
The start of a conversation? Andrew Edwards reviews Wonder Fools’ show about watching porn.
29 June 2017
Reviews • Glasgow • National • Performance • Reviews
Review: Nomanslanding at Tramway, Glasgow
June 22 - July 2
By Andrew Edwards
A strange sort of hope: Andrew Edwards reflects on the Glasgow iteration of this collaborative, international, interdisciplinary artwork.
16 May 2017
Reviews • Dance • Reviews
Review: Hidden Architectures at Dance International Glasgow
May 9 - May 10
By Andrew Edwards
Things untangle, things change: Andrew Edwards is mesmerised by Saffy Setohy’s “hugely generous” new performance installation at Dance International Glasgow.
9 May 2017
Reviews • Dance • Reviews
Review: Velvet Petal at Dance International Glasgow
May 6 - May 7
By Andrew Edwards
Beautiful images of growth, change and rebirth: Andrew Edwards is mesmerised but left cold by Fleur Darkin’s eclectic Scottish Dance Theatre show at Tramway.
6 May 2017
Reviews • Dance • Reviews
Review: SPOTTED at Dance International Glasgow
May 3 - May 4
By Andrew Edwards
And we wait: Andrew Edwards is both excruciatingly bored and enormously impressed by Margrét Sara Guðjónsdóttir’s inertia-ridden show.
6 May 2017
Reviews • Dance • Reviews
Review: material / rearranged / to / be at Dance International Glasgow
April 21 - April 30
By Andrew Edwards
So much room to breathe: Andrew Edwards spends hours at Siobhan Davies Dance’s multi-faceted installation at Tramway.
25 April 2017
Reviews • Dance • Reviews
Review: VOID at Dance International Glasgow
April 21 - April 22
By Andrew Edwards
Other-worldly, historic and contemporary all at once: Andrew Edwards reviews Dance International Glasgow’s urban re-siting of this JG Ballard inspired solo dance show.
8 April 2017
Reviews • Edinburgh
Review: Girl in the Machine at Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 3 - 22 April 2017
By Andrew Edwards
Watching the world come to a standstill: Andrew Edwards reviews Stef Smith’s new play about technology and human connections.
10 March 2017
Reviews • Glasgow
Review: Discourse or Intercourse / Talking & Fucking at Take Me Somewhere, Glasgow
CCA ⋄ 7 March 2017
By Andrew Edwards
“Gently exposes its audience’s attitudes”: Andrew Edwards reviews an immersive performance examining the spaces where people with disabilities are both users and creators of pornography.
2 March 2017
Reviews • Glasgow
Review: #negrophobia at Take Me Somewhere, Glasgow
Tramway ⋄ 26 February 2017
By Andrew Edwards
Extraordinary in its range, excess and incision: Andrew Edwards reviews Jaamil Olawale Kosoko’s “challenging, necessary and entirely relevant” work as part of the Take Me Somewhere festival.
11 February 2017
Reviews • Glasgow
Review: The End of Things at CCA, Glasgow
CCA ⋄ 7 - 8 February 2017
By Andrew Edwards
The qualities of agony, anxiety and desire contained within endings: Andrew Edwards reviews Company of Wolves’ new work in Glasgow.
6 February 2017
Reviews • Edinburgh
Review: A House In Asia at the Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 3 February 2017
By Andrew Edwards
A present tense of terror: Andrew Edwards reviews Agrupación Señor Serrano’s performance at the Manipulate festival 2017.
3 February 2017
Reviews • Edinburgh
Review: Cities at Traverse Theatre, Edinburgh
Traverse Theatre ⋄ 1 February 2017
By Andrew Edwards
Where in the city do you belong? Andrew Edwards reviews the UK premiere of Théâtre De La Pire Espèce’s imaginary urban spaces work.