A beautifully complex work of art: Amy Borsuk reviews the now-complete Shakespeare Trilogy.
The act of grief and coping: Amy Borsuk reviews Neil McPherson’s play about a young poet killed in World War I.
“Thou canst not touch the freedom of my mind.” Amy Borsuk reviews Lucy Bailey’s staging of John Milton’s Comus.
On a dull, dark and soundless day, Amy Borsuk finds herself in view of the melancholy House of Usher.
Pay as you go: Amy Borsuk reviews Shôn Dale-Jones’ performance of The Duke.
Sing-a-long Shakespeare: Amy Borsuk reviews the 60s sound of the Sam Wanamaker.
Letting the daughter do the talking: Amy Borsuk reviews Matthew Dunster’s reworking of Cymbeline.
Amy Borsuk provides an American perspective on Suzan-Lori Parks’s trilogy.
Breakfast and malignment: Amy Borsuk reviews Howard Colyer’s adaptation of Franz Kafka’s The Trial.
As Jon Brittain’s Rotterdam transfers to the West End, Amy Borsuk explores the pain at the heart of this transgender story.
“Both a threat and a sympathetic expression of despair”: Amy Borsuk reviews Blitz Theatre Group’s performance as part of LIFT 2016.