The impressive architecture of the UK’s theatres is often a legacy of stark class divides. Here, Amber Massie-Blomfield writes on the buildings that really are for everyone.
As Sprint Festival at CPT kicks off, the theatre’s artistic director Brian Logan and executive director Amber Massie-Blomfield explain why their most thrilling work comes from giving artists’ their first professional performances – and why it’s so vital to present work by students.
On how Turner Prize-winning architecture collective, Assemble, have turned the process of regeneration into art.
Amber Massie-Blomfield on austerity, audience engagement, and ‘guerrilla gentrification.’