Alison Walls reviews actress Jocelyn Bioh’s debut play on a familiar trope.
Alison Walls reviews a part performance, part conversation between a Turkish journalist and her mother about being a Muslim woman in Europe.
Despite its compelling trio of strong female leads, Alison Walls wonders why this ’90s family drama has lost its punch.
A beautiful unraveling: Alison Walls reviews Spencer Lott’s evocative tale about Alzheimer’s.
Alison Walls reviews a show that “for all the skill on display and apparent desire to be avant-garde, is deeply regressive.”
Alison Walls reviews an irreverent and enjoyable take on one of Shakespeare’s most famous plays.
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