Didn’t get tickets to Punchdrunk’s latest? Fear not, here’s a very detailed rundown of what you missed (and what you didn’t).
As the Weinstein revelations spark a bout of theatre-world soul-searching, Alice Saville writes on why men need to take responsibility for rooting out sexual harassment.
‘Oh, Jeremy Corbyn!’ Alice Saville reviews James Graham’s play about the Labour party.
New York cabaret star Erin Markey’s genre-defying performance mixes pop songs, queer fantasies, and slick feminist energy.
“How do I mentor a playwright when every time I write a play I feel like I’m starting from scratch?” Tim Crouch on joining the growing band of mentors and dramaturgs who hold up a mirror to the playwriting process.
The new artistic director of The Gate talks about running a theatre, looking to Europe, and why a narrow discourse around diversity can be dangerous.
A loving portrait of an unlovable industry: James Graham’s play about The Sun’s founding days transfers to the West End.
This week, there’s an outpouring of new work on trans experiences. But with the same people in charge, is change really in the air?
Shadowy and taut: Alice Saville reviews Dominic Cooke’s magical revival of Sondheim’s classic musical.
A week after the end of the Edinburgh Fringe, Alice Saville trudges through its debris to explore what the festival leaves behind.
A Rowling riff: Thomas Eccleshare’s play is a problematic story of an author who’s not all she seems.
As the feverish final days of the Edinburgh Fringe approach, here’s Exeunt’s writers on what you should see.
Let’s celebrate: the debut show from Emergency Chorus is a gawky, joyful evocation of the present moment.
A metatheatrical unpicking of race and queerness: Eve Allin on an “intimidatingly clever” love story.
As the dust settles after Edinburgh Fringe’s first week, here’s what Exeunt’s writers have seen and loved.