“To make one homogenous show is, to me, increasingly nonsensical”: Rachel Bagshaw and Tamar Saphra talk about making work which actively includes disabled and non-disabled audiences.

Alice Saville writes on what ‘The Color Purple’ casting controversy says about theatre producers’ attitudes towards queer actors, and queer audiences.

A tear-stained rundown of all the ways in which the UK’s theatre scene will mark Britain’s (probable) parting of ways with the EU.

Mess, horror and queer celebration: here are Exeunt’s UK-wide picks for March in theatre and performance.

Alice Saville writes on ideas of relatability and representation in three Vault Festival shows.