Punching up: Joy Wilkinson’s play is an exhilarating trip into an imagined world of Victorian women’s boxing.
As social media takes a starring role in 21st century theatre marketing, Alice Saville writes on the power and pitfalls of Twitter-era criticism.
A year on from #MeToo, Alice Saville looks at the theatre industry’s response – and argues it’s far from time to move on.
Desire is everything: Adena Jacobs’ staging of Strauss’s opera is full of ponytail-slick, sensuous, striking images.
Ice-cold teen psychopaths: Alice Saville writes on the ’80s teen movie’s uneasy transition to the stage.
The author of ‘Dance Nation’ talks teen experience, experimenting with form, and what makes New York’s playwriting scene special.
The UK’s theatres are starting a new term with some huge openings, and we’re taking notes. Here’s what to see.
As the fringe rumbles to a close, here are the shows that Exeunt’s writers wouldn’t want you to forget.
Crushed feels: this story of the late 1970s Brisbane punk scene is emotive and brutal.
At the Edinburgh fringe’s midpoint, here are the shows that Exeunt’s writers think you should see.
Alice Saville on Adam Lazarus’s controversial (but not controversial enough) narrative of male violence.
A riot grrl playground: Frisky Theatre’s show is an entrancing, infuriating exploration of girlhood.
The fringe has begun, and Exeunt’s writers have a few thoughts on what you should go and see.
Boaz Barkan’s performance-lecture explores the struggle to put dance into words.
A society, torn down: Katherina Radeva’s solo show asks questions about the kind of world we want to live in.