(Un)sexy times: Alice Saville writes on a blunt exploration of female arousal.
Boxed in: Alice Saville writes on a disconcerting, robot-led dive into Amazon’s fulfilment policies.
Young masters: Poltergeist Theatre’s performance is an entertaining rampage through an art gallery.
Feminist joy: Alice Saville writes on Gina Moxley’s intergenerational exploration of female desire.
Worm in the big apple: Alice Saville writes on Mirenka Cechova’s rapped performance about life as an immigrant in New York city.
Night sweats: In Bed With My Brother’s exhilarating show mixes rave energy with political fury.
Sorry, not sorry: Alice Saville writes on Caroline Horton’s unapologetically, triumphantly bleak narrative of depression and death.
Star power: Alice Saville writes on Idris Elba and Kwame Kwei-Armah’s South Africa-set immersive show.
Beyond nostalgia: Alice Saville writes on a nuanced musical about a lost 1973 gay bar.
Alice Saville sorts the (pink) sheep from the GOATs in her write-up of 2019’s frenetic Latitude festival.
Frozen Warnings: Alice Saville writes on Maxine Peake’s shiver-inducing performance as Nico.
Alice Saville discovers a fringe arts explosion at Iceland’s new festival of grassroots performance.
Pig-nosed whimsy: Alice Saville writes a poem in response to Hare’s firmly unpoetic rewrite of Ibsen’s verse drama.
A bitter draft: Alice Saville reluctantly reviews David Mamet’s Weinstein play.
Alice Saville writes on theatre’s uneasy relationship with trigger warnings, and the faultlines they reveal.