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"Whose eyes are being opened?" Angelo Irving writes on a narrative of systemic racism in Scotland that feels all too familiar.
Growing pains: Louise Jones reviews Northern Rascal's outdoor dance piece made with a group of twenty 16-25 year olds from Calderdale.
Lily Levinson speaks to the artists, activists and participants working together to reimagine how BAC engages with its local community.
Poet-turned-playwright Hannah Lavery discusses racism in Scotland, her 'wilderness years', and her new play, Lament for Sheku Bayoh.
Plan your Autumn of sofa-bound theatre with our big list of livestreams, archive recordings and podcasts.
Neil Bettles, artistic director of Manchester-based company ThickSkin, writes on how experimenting with VR could bring touring theatre to new audiences
Kitchen-sink drama: Ava Wong Davies reviews Forced Entertainment's domestic, unexpectedly moving retellings of Shakespeare's plays.
'A story without an ending': Andrew Edwards writes on Daniel Kitson's account of the pandemic, from within the thick of it.
Jade Montserrat writes on the germination process of her new filmed performance, part of performingbordersLIVE20.
As artists come under pressure not to bite the hand that feeds them, Angelo Irving argues that it's time to see the government's actions for what they really are.
Traverse Theatre's incoming co-artistic director Debbie Hannan talks class, the fringe, and rethinking theatre's power structures.
As the UK's leaders use the language of business to justify further devastation to theatre, Alice Saville argues that they're looking for value in the wrong places.