Now you see me: Louise Jones reviews a film by performance maker and magician Augusto Corrieri, made in response to a cancelled 2020 tour.
New horizons: Tracey Sinclair reviews a trilogy of quest-themed short plays by Stewart Melton.
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Hot off the press: Hannah Greenstreet reviews the Royal Court's eclectic online experiment in rapid-response theatre.
Louise Jones answers the call of ZU-UK's phonebox-based performance in her first piece as embedded critic at Compass, the Leeds-based festival of live art
Ali Pritchard explains how lockdown gave Newcastle's Alphabetti Theatre time to reflect, and build a new model that works better for both artists and local communities.
The new artistic director of Northern Stage talks doomscrolling, digital theatre, and fighting to bring back the artists that theatre's lost.
Laura Harris and James Rowson
Laura Harris and James Rowson share some initial findings from research project Freelancers in the Dark, charting broken lines of communication, grief, solidarity and hope.
Writing history: Lilith Wozniak writes on the role of storytelling in Giles Terera's radio play about the 1781 Zong slaveship massacre and the fight for abolition.
Office romance: Harvey Bassett reviews Out of Chaos's interactive telephone show masquerading as a market research questionnaire.
Exeunt marks its tenth birthday with a look back at its beginnings from co-Founding Editor Natasha Tripney.
If you're starved of drama, Francesca Peschier's here to show you the classic reality tv shows that will supply contrived plots, heroic journeys, and bloodthirsty thrills.
Astringent theatre wine, awkward interval conversations, besieged bladders...and all the things Exeunt's writers would love to get annoyed by once more.
Exeunt's writers look back on a year of livestreams, and the journey from despondency to hope.