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Reviews

Review: Deep Dish at the Abbey Theatre

Bacchanalia and broccoli: Chris McCormack reviews Chris Haring and Michel Blazy's collaboration, performed as part of the Dublin Dance Festival.

27 May

Features

How Exeunt’s Friends scheme is paying off

In December, Exeunt asked for your help. Here's how our Friends Scheme is helping us to be bigger, better and stronger - and why you should join.

25 May


Reviews

Review: Death of a Salesman at Malvern Theatres

Keeping the despair at bay: Geoff Mills reviews Arthur Miller's intended "time bomb" of a play.

27 May

Reviews

Review: Jam at the Finborough Theatre

"One of the hardest things for boys to learn is that a teacher is human..." Fergus Morgan reviews Matt Parvin's play about the class clown and his former teacher.

27 May

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Reviews

Review: May-We-Go-Round? at Brighton Festival

Fizzing with wit and invention: Tracey Sinclair reviews The Hiccup Project's performance at the Brighton Festival.

26 May

Reviews

Review: Blush at Soho Theatre

Issue-driven theatre: Fergus Morgan reviews Charlotte Josephine's play about internet porn.

26 May

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Features
Exeunt Staff

Fantasy Theatre

When reality's a bit much...it's time to take a trip. Here are some hypothetical shows from the wildest imaginings of Exeunt's writers.

Aniqah Choudhri

Putting the ‘mad artist’ myth to bed

“Would I be less creative if I was less mad? Aniqah Choudhri talks to theatremakers who explore mental illness on stage about why the 'mad artist' myth is so dangerous.

Nicole Acquah

Why can’t a black body be just a black body on stage?

"Why can’t I perform without the pressure to represent an entire culture or make a jaw-dropping statement on diversity?" Nicole Acquah writes on the difficulties of being politicised as a black performer.

Alice Saville

The Allure of the Uniform

As 42nd Street continues to dazzle the West End, Alice Saville asks why Busby Berkeley's legacy is still bulletproof.

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Reviews

Review: Twelfth Night at Shakespeare’s Globe

"It would take a cynic with a heart of granite to read this as a ‘fuck you’ to anyone" - Rosemary Waugh on Emma Rice's huge-hearted final Globe show.

25 May

Reviews

Review: Rent at Nottingham Playhouse

Still transcendent: Peter Kirwan revels in Bruce Guthrie's "energetic" 20th-anniversary revival of this Broadway classic, structural flaws and all.

25 May

Reviews

Review: Julius Caesar at the Crucible Theatre, Sheffield

The best sort of Shakespeare production: Robert Hastie's debut production as artistic director of Sheffield Theatres gives off all the right signals, says an excited John Murphy.

25 May

Reviews

Review: merry.go.round at Dublin Dance Festival

The universe will deliver: Chris McCormack is mesmerised by Maria Nilsson Waller's "absorbing" new work at Dublin Dance Festival.

25 May


More Features

11 May
Exeunt Staff

Exeunt Recommends (May 11, 2017)

We pick the best new and returning shows to see over the next fortnight, based on our writers' recommendations.


10 May
Emily Garside

Angels in America: A Homecoming

Ten years after last seeing Tony Kushner's epic play cycle (and writing a PhD thesis on it) Emily Garside writes on why going to the NT's Angels in America feels like coming home.


8 May
Alice Saville

In Defence of Exeunt’s Mayerling Review

Alice Saville responds to an influx of complaints regarding Exeunt's review of the Royal Ballet's Mayerling.


8 May
Gillian Greer

Rita Kalnejais: “We wanted to do something that was really gorgeous”

Gillian Greer interviews the writer of 'This Beautiful Future' at The Yard about love, war, and karaoke.


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