Two years after it premiered, seven methods is moving from Royal Court's studio to its main house. Ava Wong Davies asks its director Milli Bhatia about what's changed.
Performing masculinity: Mostyn Jones reviews Majid Mehdizadeh's autobiographical show about his relationship to anger.
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It's still unclear what form 2021's Edinburgh Fringe is going to take. Alice Saville argues that for the festival to survive, deeper conversation and decisive change is needed.
Last year, theatres made sweeping redundancies. As venues reopen, and roles start to be readvertised, Salome Wagaine argues that changes need to be made.
As theatres reopen, Adam Welsh thinks about how little has changed - and about the potential fpr digital theatre to signal a different future.
Theatres in England reopen in less than a week. Will the past year's online experiments be forgotten? Fergus Morgan argues that they shouldn't be.
'It requires work': Andrew Edwards writes on Karen Christopher and Tara Fatehi Irani's rewardingly dense durational performance.
Playwright Naomi Sheldon chats to Rosemary Waugh about her pandemic pregnancy, sex, and channelling emotional turbulence into action.
Maddy Costa writes about the non-hierarchical reading group that explores big questions about theatre, socialism and power structures.
Louise Jones answers the call of ZU-UK's phonebox-based performance in her first piece as embedded critic at Compass, the Leeds-based festival of live art
Ali Pritchard explains how lockdown gave Newcastle's Alphabetti Theatre time to reflect, and build a new model that works better for both artists and local communities.