Reviews
Edinburgh fringe review: Post-Mortem by Iskandar Sharazuddin
Heartbeats: Louise Jones writes on an intimate physical theatre dissection of a break up.
23 August
Features
A stinky and rainy (but actually really fun) kids’ fringe adventure
A dialogue review of Edinburgh fringe's sights, shows and smells by Joakim (aged five) and Katarina (aged three-and-a-half).
14 August
Reviews
Edinburgh fringe review: Collapsible by Margaret Perry
What word best describes you? Here's Francesca Peschier's interactive response to a one woman show about identity and loneliness.
22 August
Reviews
Edinburgh fringe review: A Table Tennis Play by Walrus
Playing ball: Tom Moyser writes on the tense emotional back and forth of Sam Steiner's superb new play.
22 August
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Reviews
EIF review: Eugene Onegin, directed by Barrie Kosky
Flawed heroics: Crystal Bennes writes on a conventional staging of Tchaikovsky's Pushkin-inspired opera.
21 August
Reviews
Edinburgh fringe review: Citizens of Nowhere by Ming Ho
Securely knotted: Ava Wong Davies writes on Ming Ho's intricate, site-specific exploration of British-Chinese identity.
21 August
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Features
Exeunt Staff
Exeunt recommends: Edinburgh Fringe highlights so far
Exeunt is proudly flying the flag for longform criticism at the fringe. Too busy to read it all? Here's a handy digest of the shows our writers love.
Holly Williams
Are theatre’s schemes and awards deterring a new generation of talent?
Emerging directors leap through ever-shifting hoops for a chance to work at the UK's biggest theatres. Holly Williams asks: is the system working?
Alice Saville
A Helter Skelter Ride Through Latitude
Alice Saville sorts the (pink) sheep from the GOATs in her write-up of 2019's frenetic Latitude festival.
Exeunt Staff
Exeunt’s 2019 Edinburgh Fringe Picks
Spreadsheets at the ready: Exeunt's fringe recommendations are here, thoughtfully themed for your reading pleasure.
Reviews
Edinburgh fringe review: SWIM at Pleasance Courtyard
Floating away: Ava Wong Davies writes on a lukewarm devised piece about grief and wild swimming.
20 August
Reviews
Edinburgh fringe review: Islander
Tom Moyser writes on an "exceptionally, disarmingly gentle" musical set on a tiny Scottish island.
20 August
Reviews
Edinburgh fringe review: The Canary and the Crow by Daniel Ward
"A strange and difficult sting": Nicole Serratore writes on Daniel Ward's gig-theatre story of racism and dislocation at a private school.
20 August
Reviews
Edinburgh fringe review: Civilisation by Jaz Woodcock-Stewart with Morgann Runacre-Temple
A day in the life: Ben Kulvichit writes on Antler's fusion of theatrical naturalism and contemporary dance.
20 August
More Features
17 July
Exeunt Staff
Some remorselessly petty quibbles with West End shows
Exeunt's writers have some unashamedly petty bones to pick with theatre world's biggest hits, past and present.
16 July
Alice Saville
Encounters With Reykjavik Fringe
Alice Saville discovers a fringe arts explosion at Iceland's new festival of grassroots performance.
4 July
Lily Levinson
Romania’s divided political theatre landscape
Lily Levinson writes on the seismic generational divides in Romania's theatre scene, and the embattled political companies that are fighting for change.
3 July
Ava Wong Davies
Jasmine Lee-Jones and Milli Bhatia: “Why do we have to inherit structures in order to make stuff?”
Milli Bhatia and Jasmine Lee-Jones discuss 'seven methods of killing kylie jenner', confronting power structures, and bringing black Twitter to the stage.
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