The Claim is a Kafka-esque dive into the UK's asylum system. Here, its creators talk bureaucracy, funding, and making political theatre without the capital 'P'.
The skull in the backpack: Tracey Sinclair reviews Sorcha McCaffrey's autobiographical show about the realities of living with OCD.
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Playwrights Nkenna Akunna and Temi Wilkey catch up, and talk 'The High Table', internalised homophobia, and what it's like to want a play that's made for you.
Bella Todd writes on why artists with learning disabilities are ready for critical engagement: it's time for critics to catch up.
Tasmania's triumphantly weird arts festival lures in audiences with magic, sweat and glitter.
As plans are taking shape for 2022's £120m post-Brexit arts extravaganza, here are some more outward-looking ways to mark Britain's exit from the EU.
Mood piece: James Varney paints the violent, lustful landscape of Wuthering Heights in seven panels
Josh Coates is curating performance nights that bring fandom offline and onto the stage. Here's why.
Exeunt sends its writers to the dawn of the 2030s to survey a tumultuous decade in theatre.
Leaves you feeling Peaky: Natasha Tripney dissects Steven Knight's cruelly misjudged Dickens adaptation for the BBC.
Primordial dance, irreverent costume drama and communal experiences: Exeunt's writers pick out the shows beyond the M25 which have stuck with them in 2019.