Personal and political: Lilith Wozniak reviews Chinonyerem Odimba's play for Eclipse Theatre, set during the Bristol Bus Boycott.
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Sleepwalk Collective's Sammy Metcalfe writes on the impact of Brexit on the company, and why they're throwing a festival of work in Spain.
Alice Saville writes on ideas of relatability and representation in three Vault Festival shows.
"This is a social justice issue": Maddy Costa talks to Naomi Alexander about community and participation as she relaunches Brighton People's Theatre.
"I want it too much": Kitty Drake writes on Channing Tatum's West End stripshow/phenomenon, and what it says about female sexual hunger.
As Marie Kondo fever sets in, Paula Varjack explains how her new show The Cult of K*nzo explores the performativeness of shopping.
The author of 'Everywoman' at Vault Festival writes on her decision to remain anonymous, and on how gender influences ideas of what counts as a 'universal' story.
Tarik Elmoutawakil, creative producer at Brighton's Marlborough Theatre, talks about creating a 'space church' for disabled, queer, trans and non-binary people of colour.
Malaprop Theatre's approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault.