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Reviews

Review: All The Things I Lied About at Soho Theatre

Cognitive dissonance: Emma Smith reviews Katie Bonna's one-woman show about lying.

Published Today

Features

Livestream: The Winter’s Tale

Shakespeare fans, rejoice! You can watch Cheek By Jowl's inventive take on The Winter's Tale for free in this livestream, hosted by Exeunt until 7th May.

19 April


Reviews

Review: The Darkest Corners at Transform 17

A galvanising call to arms: Catherine Love reviews RashDash's new show as part of Transform 17.

Published Today

Reviews

Review: Wink at Theater for the New City

Theater for the New City

Kev Berry gets frustrated with Neil Koenigsberg's play about gender identity set in Hollywood.

Published Today

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Reviews

Review: Tommy at the Nottingham Playhouse

Energy, volume and trippy exuberance: Peter Kirwan reviews Ramps on the Moon's superb new version of The Who's Tommy.

Published Yesterday

Reviews

Review: What Good Is Looking Well When You’re Rotten on the Inside? at Galway Theatre Festival

Virtuosity hidden in the most allusive places: Chris McCormack is at Galway Theatre Festival to review Emma O'Grady's unique solo show.

Published Yesterday

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Features
Exeunt Staff

Announcement: Exeunt’s new columnists

Introducing Ifeyinwa Frederick and Aniqah Choudhri, the joint winners of our call-out for a new black or minority ethnic columnist.

Verity Healey

How verbatim work is bringing protests into theatres

"Shouldn’t more plays be activist?" Verity Healey explores how shows including E15, My Country and Denmarked intersect with real-life protest movements.

Exeunt Staff

Roundtable: Is Jesse Green the right choice for the New York Times?

As yet another white man is hired to the most prestigious job in US theatre criticism, Exeunt's New York writers ask when the conversation will really change.

Sam Williams

Why It’s All Kicking Off Everywhere

"The people. Demand. The downfall. Of the Regime." Sam Williams explores how journalist Paul Mason's immersive performance imagines theatre as a laboratory for political action.

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Reviews

Review: Lessons of Leaking at Transform 17

It's all just a game: Catherine Love reviews machina eX’s production linking gaming and politics.

21 April

Reviews

Review: Coriolanus Vanishes at the Tron Theatre, Glasgow

Lean, mean and theatrically audacious: Christine Irvine is gripped by Fire Exit director David Leddy's first one-man show in over a decade.

21 April

Reviews

Retro(per)spective at the Marlborough Theatre, Brighton

More than a greatest hits medley: Tracey Sinclair reviews Split Britches's revisiting of over three decades of work.

21 April

Reviews

Review: Groundhog Day at August Wilson Theatre

August Wilson Theatre

Hidden depth surprises in the funny and poignant adaptation of Groundhog Day.

21 April


More Features

4 April
Alice Saville

Jamal Harewood: “I know I’m pushing people’s buttons”

'The Privileged' uses a furry polar bear suit to confront racism head on. Alice Saville chats to Jamal Harewood about audience reactions, game theatre, and his new performance 'Word'.


3 April
Maddy Costa

Le Gateau Chocolat: “I’m always in some kind of exhausting drag.”

Maddy Costa talks to alternative cabaret star Le Gateau Chocolat about puncturing drag stereotypes, making work about depression, and surviving in a world where “We have to keep fighting for the things and the values that we hold dear.”


27 March
Catherine Hoffmann

Where are the voices exploring working class experiences?

"There's a huge culture of people from working class backgrounds feeling inadequate within the arts." Catherine Hoffman explains how shame keeps people powerless, and how her performance as 'Stench Wench' comes clean about class.


23 March
Rosemary Waugh

Rachel O’Riordan: “I would hate to be directing another one woman show by Gary right now!”

After the runaway success of Iphigenia in Splott, Rachel O'Riordan is directing Gary Owen's new play Killology. She talks about her work as artistic director of the Sherman, and how theatre "opens doors to Wales".


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