As her new play 'In The Night Time (Before The Sun Rises)' opens at the Gate Theatre, Nina Segal ponders the "hazy, murky" ways that stories saturate our earliest memories.
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Tim Bano talks to Simon Stokes, artistic director of Theatre Royal Plymouth, about democracy and Monster Raving Loony, a new play by James Graham.
Rosemary Waugh talks to the actress, playwright and former RAF Airwoman about the struggles that shaped her journey to creating 'Whiskey, Tango, Foxtrot' - a one-woman interrogation of female experiences in the military.
Nicole Serratore talks to performers Jess Thom and Gardiner Comfort about relaxed performances, changing attitudes and critical perspectives on work by disabled artists.
With theatre award season upon us, Kate Maltby makes a case for rewarding the efforts of the unsung heroes and especially heroines of the supporting cast.
Central St. Martins’ investigation into the teaching of playwriting bears innovative fruit in a brand new writing competition.
Sam Wanamaker Playhouse
"Director Michael Longhurst energetically tackles all the perceived problems with the ‘problem play.’" Dave Fargnoli reviews Exeunt's favourite Shakespeare.
Bristol Old Vic Studio
Protein shakes and the Victorian slums: Rosemary Waugh reviews Cuckoo Collective's debut work.
Cheap fringe theatre? Even cheaper wine? Let our writers guide you through the labyrinthine programme of London's sprawling fringe festival.
VAULT festival director Tim Wilson on the treacherous economics of running a fringe theatre festival, and why this year could be VAULT festival's last.
Gary Owen talks to Tim Bano about government cuts, growing up in Wales, and his latest play Iphigenia In Splott.
David Bowie and Alan Rickman both passed away in one very sad week. As dust of social media tributes, op-eds and excavated controversies starts to settle, Exeunt contributors think about how the internet has changed our experience of collective, and individual, mourning.