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Royal Court, Jerwood Downstairs
Amy Borsuk provides an American perspective on Suzan-Lori Parks's trilogy.
Ahead of 'The Prime of Ms David Hoyle' at Chelsea Theatre, Ben Walters explores performance, queer education and why didacticism doesn't have to be a dirty word.
Lucy Bell talks to Rosemary Waugh about teenage dads, making documentaries and her latest play, Pulling Out, at the Camden People's Theatre.
Andy Field, co-director of Forest Fringe, explores the tiny mountain village of Dro, using its forests to think about how we can reimagine society from the ground up. This is part of a series of dispatches from Urban Heat – a new project exploring the future of theatre’s engagement with urban space and communities.
Duška Radosavljević interviews Anne Peter, editor at German theatre publication nachtkritik.de, about how the site's new model of criticism works - and the challenges of supporting high-quality journalism online.
The Performing Garage
Loren Noveck discovers "a darkly luminous meditation on freedom, captivity, mortality, and memory."
Róisín McBrinn, head of the artistic programme at Clean Break, talks to Rosemary Waugh about government cuts, vulnerable women and their latest production at The Yard in Hackney.
Artist Beth Iredale pulls focus away from value judgements and towards visual impact with some illustrated responses to performances she saw at the Edinburgh fringe.
The Edinburgh Festival is over, and if you're reading this you've survived, more or less intact. Here's an excuse to relive its euphoric highs and darkest lows, through the medium of our very fringiest stories, tweets, and photos.
Belarus Free Theatre's newest performance Burning Doors tells the stories of three dissident artists, and stars Pussy Riot's Maria Alyokhina. Verity Healey joined them in the rehearsal room to explore their incendiary creative process.