Vaulting ambition: Arjun Sajip writes on Ivo Van Hove's bold but flawed staging of a 1969 cinematic classic.
Alice Saville writes on theatre's uneasy relationship with trigger warnings, and the faultlines they reveal.
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Natasha Tripney marks the launch of the 2019 Edinburgh fringe programme with a poem, crafted from its cut up and reassembled entrails.
J N Benjamin
Rebekah Murrell is directing J'Ouvert, a tale of carnival culture at Theatre503. Here, she talks unconventional career paths, ticket prices, and the renaissance in Black theatre.
Andy Edwards writes on four encounters with Glasgow's Take Me Somewhere, an annual festival of live performance.
Writer Sarah Kosar and director Sara Joyce talk about narratives of victimhood, female agency, and their new show Armadillo.
'What about the Struggle': Naomi Obeng writes a poetic response to Kemp Powers' imagined account of the meeting of Malcolm X, Cassius Clay, Jim Brown and Sam Cooke.
'Sharpened like a blade': Tracey Sinclair reviews an intimate, impromptu-feeling revival of John McGrath's landmark play.
After building a free DIY film school, Forest Fringe are making a movie this summer. Here's Andy Field on why.
J N Benjamin
"We’re not asking the audience not to see the colour of their skin - we are specifically asking them to look at it” - Miranda Cromwell, Marianne Elliott and Wendell Pierce discuss the impact of casting black actors in Miller's play.
Ava Wong Davies
Playwright Anchuli Felicia King's grimly comic satire of the Singapore skin-lightening industry opens at the Royal Court this week. In this interview, she discusses Mamet, Crazy Rich Asians, and late-stage capitalism.
James Varney writes on live art festival Transform, and explores how its line-up intertwines with the Leeds streets that surround it.