'Shimmer and sparkle': Catherine Love reviews an unlikely Christmas show which delights as much as it unsettles.
Using a voice: Crystal Bennes writes on the 'ethical quandary' of representation in Kieran Hurley's examination of class and the appropriation of stories.
Hailey Bachrach writes on the Menier's wintry new staging of a musical that's "by and for the kinds of Jews who want something to celebrate at Christmastime".
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James Varney interviews performance-maker Jackie Hagan about access and telling the stories of "real people who are having a hard time"
Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that's "pretty damn queer".
Margherita Laera and Diana Damian Martin
Dr Diana Damian Martin and Dr Margherita Laera introduce their new research project, a survey which will explore who writes about theatre and performance, and map the conditions they work under.
Scottee is hosting Hamburger Queen, a "talent show for chubsters". Here, he explains why it's essential in an industry that doesn't make room for fat artists and audiences.
'Joyful sincerity': Pete Kirwan writes on an earnest, escapist panto that brings the 12th century into the 21st.
"This is a play about race matters by a writer for whom race matters not" - Desirée Baptiste's essay unpicks the racist and ableist themes of Martin McDonagh's play.
Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism - and skincare.
A new British Council project will support UK bloggers to discover and write about international work.
We dreamed a dream: Exeunt's writers imagine a takeover of London's creakiest, most storied theatres.