Punching up: Joy Wilkinson's play is an exhilarating trip into an imagined world of Victorian women's boxing.
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Pleasure seekers: Freddie Machin writes on a warm, welcoming, and thoroughly enjoyable night of Blackpool burlesque.
Director Ailin Conant and playwright Dipika Guha are working on new play 'The Art of Gaman'. Here, they discuss ideas of belonging, immigrant experience and Japanese-American history.
Swiss theatre director Milo Rau's working methods let members of the public into the rehearsal room. Here, he tells Verity Healey why "community theatre IS theatre".
A year on from #MeToo, Alice Saville looks at the theatre industry's response - and argues it's far from time to move on.
Maddy Costa conducts an email dialogue with Annie Siddons about her new show Dennis of Penge, a triumphant narrative of addiction, recovery, and fighting the PIP system.
Crafty schemes: Druid's production brings out all the gallows humour of Shakespeare's play.
Working class people are hugely underrepresented in theatre at all levels. Adam Hughes argues that it's time for the industry to dig deeper.
Gecko’s Amit Lahav writes on his relationship with the late, visionary choreographer, who created "an alternative version of the world, every second of the day, on and off stage".
For your entertainment, three Exeunt writers reveal the hidden meanings behind the shorthands that theatre critics fall back on.
Fergus Morgan writes on the Kiln's controversial rebrand, and the message the backlash against it sends.