Grey matter: Harvey Bassett reviews a digital installation from New Perspectives in the form of a 'deluge' of voices from a nursing home.
"Noisy, shiny, theatrical chaos": Farah Najib immerses herself in the youth-led finale of Royal Court's online series.
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Playwright Naomi Sheldon chats to Rosemary Waugh about her pandemic pregnancy, sex, and channelling emotional turbulence into action.
Maddy Costa writes about the non-hierarchical reading group that explores big questions about theatre, socialism and power structures.
Louise Jones answers the call of ZU-UK's phonebox-based performance in her first piece as embedded critic at Compass, the Leeds-based festival of live art
Ali Pritchard explains how lockdown gave Newcastle's Alphabetti Theatre time to reflect, and build a new model that works better for both artists and local communities.
Now you see me: Louise Jones reviews a film by performance maker and magician Augusto Corrieri, made in response to a cancelled 2020 tour.
New horizons: Tracey Sinclair reviews a trilogy of quest-themed short plays by Stewart Melton.
Hot off the press: Hannah Greenstreet reviews the Royal Court's eclectic online experiment in rapid-response theatre.
The new artistic director of Northern Stage talks doomscrolling, digital theatre, and fighting to bring back the artists that theatre's lost.
Laura Harris and James Rowson
Laura Harris and James Rowson share some initial findings from research project Freelancers in the Dark, charting broken lines of communication, grief, solidarity and hope.
Exeunt marks its tenth birthday with a look back at its beginnings from co-Founding Editor Natasha Tripney.
If you're starved of drama, Francesca Peschier's here to show you the classic reality tv shows that will supply contrived plots, heroic journeys, and bloodthirsty thrills.