Needlework and laser blasters: Lilith Wozniak reviews the Wardrobe Theatre's latest pop-culture mashup Christmas show.
Emma Jude Harris writes on Rare Earth Mettle and what it reveals about antisemitism in UK theatre.
Home alone: Tracey Sinclair reviews Hannah Sowerby's one-woman comedy with shades of Alan Bennett and Victoria Wood.
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Alice Saville writes about Old Bridge, and a recent spate of plays which set poignant love stories against the backdrop of tumultuous world events.
As theatres fight to find and retain backstage workers, Alice Saville talks to people on the frontline of theatre's hiring crisis.
the vacuum cleaner
Artist the vacuum cleaner talks about his interviews with health workers in Newham, and how his new installation-performance EXPOSURE aims to create a space for exploring collective trauma.
An imaginary conversation between two theatregoers at a mostly-maskless West End show.
A welcome reversal: Angelo Irving reviews a flipped take on Shakespeare by an impressive youth theatre company.
Following the release of new film Censor, Natasha Tripney traces the stories of screen violence, from Mary Whitehouse's outrage to today's horror theatre livestreams.
Alice Saville writes about the strangeness and specialness of 2021's smaller-than-ever fringe festival.
Holly Maples and Allie Young
"This is not a leveller": Holly Maples and Allie Young explore the pandemic's impact on working class artists, as part of the Freelancers in the Dark research project.
Ava Wong Davies
Two years after it premiered, seven methods is moving from Royal Court's studio to its main house. Ava Wong Davies asks its director Milli Bhatia about what's changed.