Smock Alley Theatre
No tricks up her sleeve: Chris McCormack reviews an underwhelming adaptation of The Snow Queen.
As Exeunt launches its Friends Scheme, Alice Saville discusses why it's time to imagine new ways of funding theatre criticism.
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West Yorkshire Playhouse
Controlled chaos: Adam Bruce reviews David Wood's adaptation of Roald Dahl's The Witches.
“Beware of the crows!” Chris McCormack reviews a coming-of-age play containing elements of fairytale.
Samantha Jayne Williams
Berlin's Volksbühne Theatre has been in turmoil since it announced that its new artistic director would be Chris Dercon, outgoing director of London's Tate Modern. Samantha Jayne Williams explores the controversy, and what it says about theatre, modernity, and narratives of resistance.
Maddy Costa discusses Scottee's "vital, uneasy, excoriating, demanding" new work.
Maddy Costa talks to Xavier de Sousa about migration, being a host and his new show POST at the Ovalhouse.
Kate Wyver interviews Rani Moorthy, founder of Rasa Theatre, about her play Whose Sari Now?, a look at the stories of five South asian women, and on how she's fighting for her culture to be heard on stage.
Wonderfully and inappropriately gory: Lucian Waugh reviews the return of Sally Cookson's Cinderella to Bristol.
A weekly rustle through theatre and performance news, new openings, job opportunities and things to see.
Kev Berry interviews the writer of 'HOMOS, or Everyone in America' about his work, 'gay leaning', and what makes a writer a writer.
As the long winter nights draw in, Joe Charnitski talks to some of the luminaries of New York's storytelling scene about what makes their community so special.
Matt Miller explores the power of spoken word to create collectivity and community, as his solo performance Sticking plays at Newcastle's Alphabetti Theatre.