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Covid culture: James Varney explores the new ways we engage with performance via RashDash's documentary album, listened to from home.
Thinking inside the box; Angelo Irving writes on three films that explore the experiences of marginalised women, built around plays from the Theatre Uncut archive.
As artists come under pressure not to bite the hand that feeds them, Angelo Irving argues that it's time to see the government's actions for what they really are.
Traverse Theatre's incoming co-artistic director Debbie Hannan talks class, the fringe, and rethinking theatre's power structures.
As the UK's leaders use the language of business to justify further devastation to theatre, Alice Saville argues that they're looking for value in the wrong places.
Should cases be tried in theatres? Natasha Tripney asks lawyers and theatremakers for their views on the Lowry's role as a temporary courtroom.
Broken nights: Lily Levinson writes on Ava Wong Davies and Mandala Theatre's 'unsettling and theatrically imaginative' digital play, exploring sleep disturbance.
A shattered treehouse: Alice Saville writes on the furious emotional intensity of Jason Robert Brown's story of heartbreak, performed by two actor-musicians.
Ava Wong Davies
As the crowds trickle back into central London, Ava Wong Davies embarks on two headphone-led encounters with the city.
J N Benjamin
Rachel Nwokoro: “The thing that the arts industry doesn’t do for disabled people is create space and time.”
“We need to imagine the impossible”: after her nomination for a Stage Debut Award, Rachel Nwokoro talks disability and social change.
...so we can rest, recuperate, and make plans on how to come back stronger.
Francesca Peschier and Alice Saville
The fringe is (mostly) cancelled - so here are some highly creative tips on how to recreate the magic, without leaving your home.