'A vivid plea for understanding': David Pollock reviews a promenade adaptation of Naoki Higashida’s book about the experience of autism.
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Fringe season is upon us, so Tracey Sinclair has canvassed theatre critics to compile this guide to how shows can maximise their chances of getting reviewed.
Pertinent and unsettling: John Murphy reviews a stage adaptation of Ken Kesey's novel.
As the theatre calendar goes into overdrive, Alice Saville writes on the time-and-space challenges of trying, and failing, to see everything.
"This piece has journeys in it": Eve Leigh writes on the reverberating magic of Verity Standen's surround sound choral performance.
Gob Squad, Translations, and Maxine Peake inside a giant revolving mudheap: here are the shows you wouldn't want to miss over the next fortnight.
"The scale, despite the ramshackle surroundings, is huge." - Andrew Edwards writes on the joys of Leith's eclectic multi-disciplinary arts festival.
Love and playwriting: Chris McCormack reviews Brian Friel's two-part play.
Hope, comedy, violence and suffering: Rotimi Babatunde's stage adaptation of Lola Shoneyin's novel is a sweet show that leaves a sour taste.
A tough act to resist: Tracey Sinclair falls for the big-hearted charm of Laurence O’Keefe and Nell Benjamin’s stage adaptation on its national tour.
Naomi Obeng encounters transformation, an intergalactic mission, bingo, and tons of exciting new performance at Cambridge Junction's one day fest.
As Karen Finley's new show 'Unicorn Gratitude Mystery' comes to Femmetopia, she talks to the queer festival's co-curator about American politics, princesses, and activist art.
The New Diorama Theatre is revolutionising the way it's programmed. Here's the venue's AD David Byrne on why he's putting companies first.
In the aftermath of the announcement that Lyn Gardner's Guardian contract is coming to an end, Maddy Costa writes on theatre world hierarchies and their resistance to change.