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Exeunt sends its writers to the dawn of the 2030s to survey a tumultuous decade in theatre.
Leaves you feeling Peaky: Natasha Tripney dissects Steven Knight's cruelly misjudged Dickens adaptation for the BBC.
Primordial dance, irreverent costume drama and communal experiences: Exeunt's writers pick out the shows beyond the M25 which have stuck with them in 2019.
Iron your cummerbunds, the starriest, glitziest event of the theatre calendar is here: it's Exeunt's annual (alternative) awards.
Circus at the end of the world: Maddy Costa writes on Ockham Razor's intergenerational aerial collaboration.
A dangerous game: Hannah Greenstreet writes on Ella Hickson's metatheatrical play on Elizabeth I's power.
The results are in: Exeunt's writers voted for their favourite London shows of 2019. Here are the shows they can't stop thinking about.
Exeunt's writers cooked up a bumper batch of form-breaking reviews this year - from dialogues to letters to quizzes. Here are some of our favourites.
Housed in a former mirror factory, The Big House works with at-risk young people to make theatre that reflects their experiences. Lily Levinson talks to the participants in their new performance, 1st Luv.
"A haunting is a story that stays with you" : Eve Leigh writes on why she's created an online afterlife for her play Midnight Movie.