Reviews
Review: Two Man Show at the Soho Theatre
Soho Theatre
"Where fake muses stand on fake plinths to pose for fake male gazes": Diana Damian Martin reviews the post-Edinburgh run of Two Man Show at the Soho Theatre.
Published Today
Features
Give Me Your Skin
Tom Ross-Williams and Oonagh Murphy on playing out the tensions in queer politics through their new performance game, Give Me Your Skin.
19 September
Reviews
Review: The Collector at York Theatre Royal
York Theatre Royal
Louise Jones reviews a production of Henry Naylor's Iraq War play which makes the most of silence and spotlights.
Published Today
Reviews
Review: punkplay at Southwark Playhouse
Southwark Playhouse
Best friends, bad friends and record collections: Maddy Costa discusses the DIY spirit of punk and Gregory Moss's play.
Published Yesterday
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Opinion
What is A Superhuman Anyway?
A look at the new Channel 4 advert for the Rio Paralympics and the notion of meeting the "superhumans" in their follow-up to the 2012 ad.
11 August
Reviews
Review: Father Comes Home From the Wars (parts 1, 2 and 3) at the Royal Court
Royal Court, Jerwood Downstairs
Amy Borsuk provides an American perspective on Suzan-Lori Parks's trilogy.
Published Yesterday
Reviews
Review: Hamlet at the Public Theatre
Public Theatre
The Prince of Denmark in the age of the iPhone: Gabe Cohn reviews a new Mobile Unit production.
23 September
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Features
Ben Walters
A Cabaret Classroom
Ahead of 'The Prime of Ms David Hoyle' at Chelsea Theatre, Ben Walters explores performance, queer education and why didacticism doesn't have to be a dirty word.
Rosemary Waugh
Documental: “theatre inspired by lived experience.”
Lucy Bell talks to Rosemary Waugh about teenage dads, making documentaries and her latest play, Pulling Out, at the Camden People's Theatre.
Andy Field
Urban Heat: Dro
Andy Field, co-director of Forest Fringe, explores the tiny mountain village of Dro, using its forests to think about how we can reimagine society from the ground up. This is part of a series of dispatches from Urban Heat – a new project exploring the future of theatre’s engagement with urban space and communities.
Duska Radosavljevic
Anne Peter: “Theatre criticism won’t die out.”
Duška Radosavljević interviews Anne Peter, editor at German theatre publication nachtkritik.de, about how the site's new model of criticism works - and the challenges of supporting high-quality journalism online.
Reviews
Review: Beam at Moor Theatre Delicatessen
Moor Theatre Delicatessen
Are you sitting comfortably? John Murphy joins granny for Jelly Babies and stories at Moor Theatre Delicatessen.
23 September
Reviews
Review: Hit the Body Alarm at The Performing Garage
The Performing Garage
Loren Noveck discovers "a darkly luminous meditation on freedom, captivity, mortality, and memory."
22 September
Reviews
Review: Room 4 at The People’s Improv Theater
The Peoples Improv Theater
Seth Simons enjoys a "loopy" one-act with just the right punch.
22 September
Reviews
Review: OCD Love at Sadler’s Wells
Sadler's Wells
Hypnotic strangeness and power: Anna Winter reviews L-E-V's dance piece based on a poem by Neil Hilborn.
22 September
More Features
5 September
Rosemary Waugh
“I hope that a Clean Break play changes your heart a little bit.”
Róisín McBrinn, head of the artistic programme at Clean Break, talks to Rosemary Waugh about government cuts, vulnerable women and their latest production at The Yard in Hackney.
1 September
Beth Iredale
An Edinburgh Festival Sketchbook
Artist Beth Iredale pulls focus away from value judgements and towards visual impact with some illustrated responses to performances she saw at the Edinburgh fringe.
1 September
Exeunt Staff
The Highs and Lows of Edinburgh-ing
The Edinburgh Festival is over, and if you're reading this you've survived, more or less intact. Here's an excuse to relive its euphoric highs and darkest lows, through the medium of our very fringiest stories, tweets, and photos.
29 August
Verity Healey
Burning Doors
Belarus Free Theatre's newest performance Burning Doors tells the stories of three dissident artists, and stars Pussy Riot's Maria Alyokhina. Verity Healey joined them in the rehearsal room to explore their incendiary creative process.
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