Heartbeats: Louise Jones writes on an intimate physical theatre dissection of a break up.
A dialogue review of Edinburgh fringe's sights, shows and smells by Joakim (aged five) and Katarina (aged three-and-a-half).
What word best describes you? Here's Francesca Peschier's interactive response to a one woman show about identity and loneliness.
Playing ball: Tom Moyser writes on the tense emotional back and forth of Sam Steiner's superb new play.
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Flawed heroics: Crystal Bennes writes on a conventional staging of Tchaikovsky's Pushkin-inspired opera.
Securely knotted: Ava Wong Davies writes on Ming Ho's intricate, site-specific exploration of British-Chinese identity.
Exeunt is proudly flying the flag for longform criticism at the fringe. Too busy to read it all? Here's a handy digest of the shows our writers love.
Emerging directors leap through ever-shifting hoops for a chance to work at the UK's biggest theatres. Holly Williams asks: is the system working?
Alice Saville sorts the (pink) sheep from the GOATs in her write-up of 2019's frenetic Latitude festival.
Spreadsheets at the ready: Exeunt's fringe recommendations are here, thoughtfully themed for your reading pleasure.
Floating away: Ava Wong Davies writes on a lukewarm devised piece about grief and wild swimming.
"A strange and difficult sting": Nicole Serratore writes on Daniel Ward's gig-theatre story of racism and dislocation at a private school.
A day in the life: Ben Kulvichit writes on Antler's fusion of theatrical naturalism and contemporary dance.
Exeunt's writers have some unashamedly petty bones to pick with theatre world's biggest hits, past and present.
Alice Saville discovers a fringe arts explosion at Iceland's new festival of grassroots performance.
Lily Levinson writes on the seismic generational divides in Romania's theatre scene, and the embattled political companies that are fighting for change.
Ava Wong Davies
Milli Bhatia and Jasmine Lee-Jones discuss 'seven methods of killing kylie jenner', confronting power structures, and bringing black Twitter to the stage.