In response to our recent Bruntwood Prize project, Miriam Gillinson discusses the theatre that makes her want to write about theatre.
Dead Centre's Bush Moukarzel on the making of Lippy, meta-theatre and the impulse to speak.
As Secret Theatre reaches its Grand Finale, Exeunt's writers look back at the highs, the lows & the legacy.
Brian Logan on politics, posh frocks, surprising mice and the Sprint Festival at CPT.
Stewart Pringle on Beckett, tribalism, and why the best theatre is a bit like Cradle of Filth.