A tragedy in two acts: Natasha Tripney assesses the theatrical merits of the government's most recent instalments of live-streamed satire
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We could have celebrity monologues in half-empty auditoriums. Or, we could look to the experimental theatremakers who've made space for new forms.
How can we support artists better? What forms can collaboration take? A group of artists and producers discuss the future of making work collectively.
Alice Saville surveys the freelance theatre workers who aren't covered by government support, and have been left without income overnight.
Selina Thompson lists and itemises the performances to come, once lockdown is over.
"I'm learning a culture and a country through its theatre": Natasha Tripney writes on her enriching encounters with online performance.
Exeunt's writers pen micro-reviews of the tone-deaf, delightful, or dazzlingly weird video art created by celebrities under lockdown.
Farah Najib reflects on the impact of school closures on kids, and on what theatres can do to reach children in lockdown.
The discussion concludes with an exploration of aesthetics and set design in European theatre; and questions about what it will take for the UK to change.