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"To build an exhibition around a primarily aural experience is nothing if not audacious" - Ruth Garde reviews the Wellcome Collection's free exploration of speech, song and performance.
Andy Field, co-director of Forest Fringe, explores Cairo's complicated streets, and its even more complicated politics. This is the first in a series of dispatches from Urban Heat – a new project exploring the future of theatre’s engagement with urban space and communities.
To mark Shakespeare 400, The Globe is showing 37 short films of his 37 plays. Alice Saville tramps down the Southbank to explore them all, in the company of everyone from hardened Shakespeare pilgrims to passing toddlers on scooters.
Ever seen a play with a 400 year old set? Dominic Gerrard tells us about the joys and pitfalls of making Malvolio's Misorder, a new site-specific performance made around artefacts that Shakespeare could have touched.
The author of Clybourne Park talks to Kate Wyver about race, gentrification, and the power of theatre to take the piss out of privilege.
Laura Jane Dean
Ahead of her solo show 'This Room' at BAC, Laura Jane Dean talks about being open about mental illness, and why it's vital for performers to be able to say "I'm not okay".
The director of Coney's new show Remote at Camden People's Theatre on choice, consensus and control.
Rosemary Waugh talks to Greg Wohead about ideas of reconstruction and replication, and his "haunted" performance 'Comeback Special'.
“The vocalisation of sound is a common denominator between species.” Lydia Thomson explores the performative nature of the human voice in a new exhibition at the Wellcome Collection.