Invisible cities, right before your eyes: Aniqah Choudhri reviews a multimedia dance-theatre extravaganza based on Italo Calvino's novel.
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Weather patterns: Rosemary Waugh writes on James Macdonald's production of Tennessee Williams' 'messy, weird' play.
Exeunt's writers have some unashamedly petty bones to pick with theatre world's biggest hits, past and present.
Alice Saville discovers a fringe arts explosion at Iceland's new festival of grassroots performance.
Lily Levinson writes on the seismic generational divides in Romania's theatre scene, and the embattled political companies that are fighting for change.
Ava Wong Davies
Milli Bhatia and Jasmine Lee-Jones discuss 'seven methods of killing kylie jenner', confronting power structures, and bringing black Twitter to the stage.
Frozen Warnings: Alice Saville writes on Maxine Peake's shiver-inducing performance as Nico.
Fly me to the moon: Tracey Sinclair reviews Scott Turnbull's offbeat, cheeky solo show about a lonely astronaut.
A tale of two plays: Tracey Sinclair writes about place, sport and culture in a new play about the much loved footballer and manager.
Maggie who?: James Varney writes on character, community and the ghost of Tennessee Williams in American choreographer Trajal Harrell's new piece for MIF.
Emma Frankland writes on her new show Hearty, and the shifting cycles which underpin attitudes to trans identity.
Prices for accommodation at the Edinburgh Fringe are up 35% this year. Here, independent producer Jo Mackie asks what it will take to reform the fringe.
"It's a space built from light and mirrors and impossibilities": Francesca Peschier takes you on a trip to Prague's mind-blowing festival of scenography from around the world.
Alice Saville writes on theatre's uneasy relationship with trigger warnings, and the faultlines they reveal.