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How can theatre accommodate neurodiversity? Maddy Costa explores how Art with Heart's touring show 'Declaration' remagines relationships between artist, venue and audience.
The RSC are accepting BP sponsorship - while staging a play about the disastrous impact of climate change. Here's Jess Worth on the campaign to make the RSC Fossil Free.
Following Forest Fringe's announcement that they will no longer be running their free Edinburgh Fringe venue, Alice Saville remembers the invaluable spaces they created.
Amy Draper's 'These Trees are Made of Blood' took years to move from initial seed of an idea to a full production. Here, she writes on why ideas need time to germinate.
A beautifully nostalgic painting: Emily Holyoake reflects on Exeter Northcott's fresh E. Nesbit adaptation and on the theatre's recent resurrection as a producing house.
A new report, Gender Counts, reveals stark statistics about the under-representation of women in Irish Theatre. Chris McCormack asks: What next?
"Who is torturing whom?" Natasha Tripney crafts a cut-up poem from the fever dream that is the 2017 Edinburgh Fringe programme.
Bridget Minamore chats to the JMK award-winning young director as 'The Ugly One' opens at Park Theatre.
Alice Saville chats to the writer of 'An Octoroon' about New York's alt-theatre scene, reimagining historical plays, and the "weird echo chamber" of theatre criticism.