Review: Vienna 1934-Munich 1938 at Ustinov, Bath

Are you sitting comfortably?: Lilith Wozniak reviews Vanessa Redgrave's collection of personal and political histories from the lead-up to the Second World War.

21 July


Exeunt’s 2019 Edinburgh Fringe Picks

Spreadsheets at the ready: Exeunt's fringe recommendations are here, thoughtfully themed for your reading pleasure.

Published Today


Review: Birth at York Theatre Royal

A matter of life and death: Louise Jones writes on the emotional mechanics of Theatre Re's lyrical piece of physical theatre.

21 July


Review: Invisible Cities at Manchester International Festival

Invisible cities, right before your eyes: Aniqah Choudhri reviews a multimedia dance-theatre extravaganza based on Italo Calvino's novel.

20 July


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Review: The Color Purple at Birmingham Hippodrome

'I'm beautiful and I'm here': Ben Kulvichit reviews Tinuke Craig's soulful, stirring production of the musical adaptation of Alice Walker's famous epistolary novel.

20 July


Review: The Night of the Iguana at Noel Coward Theatre

Weather patterns: Rosemary Waugh writes on James Macdonald's production of Tennessee Williams' 'messy, weird' play.

20 July


Exeunt Staff

Some remorselessly petty quibbles with West End shows

Exeunt's writers have some unashamedly petty bones to pick with theatre world's biggest hits, past and present.

Alice Saville

Encounters With Reykjavik Fringe

Alice Saville discovers a fringe arts explosion at Iceland's new festival of grassroots performance.

Lily Levinson

Romania’s divided political theatre landscape

Lily Levinson writes on the seismic generational divides in Romania's theatre scene, and the embattled political companies that are fighting for change.

Ava Wong Davies

Jasmine Lee-Jones and Milli Bhatia: “Why do we have to inherit structures in order to make stuff?”

Milli Bhatia and Jasmine Lee-Jones discuss 'seven methods of killing kylie jenner', confronting power structures, and bringing black Twitter to the stage.

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Review: The Nico Project at Manchester International Festival

Frozen Warnings: Alice Saville writes on Maxine Peake's shiver-inducing performance as Nico.

19 July


Review: Where Do All the Dead Pigeons Go? at Alphabetti Theatre, Newcastle

Fly me to the moon: Tracey Sinclair reviews Scott Turnbull's offbeat, cheeky solo show about a lonely astronaut.

19 July


Review: Bobby Robson Saved My Life at The Customs House, South Shields

A tale of two plays: Tracey Sinclair writes about place, sport and culture in a new play about the much loved footballer and manager.

18 July


Review: Maggie the Cat at Manchester International Festival

Maggie who?: James Varney writes on character, community and the ghost of Tennessee Williams in American choreographer Trajal Harrell's new piece for MIF.

15 July

More Features

1 July
Emma Frankland

Hearty: Bringing Fire to Trans Pride

Emma Frankland writes on her new show Hearty, and the shifting cycles which underpin attitudes to trans identity.

26 June
Jo Mackie

Some questions for the Edinburgh Fringe

Prices for accommodation at the Edinburgh Fringe are up 35% this year. Here, independent producer Jo Mackie asks what it will take to reform the fringe.

25 June
Francesca Peschier

A transformative tour of Prague Quadrennial

"It's a space built from light and mirrors and impossibilities": Francesca Peschier takes you on a trip to Prague's mind-blowing festival of scenography from around the world.

12 June
Alice Saville

Do trigger warnings ruin theatre’s power to surprise?

Alice Saville writes on theatre's uneasy relationship with trigger warnings, and the faultlines they reveal.