Reviews
Review: Splayed Festival, The Place
Bodies that matter: Ka Bradley writes on digital dance performances from Splayed Festival, which put focus on disabled and queer bodies, exploring how they negotiate the world.
Published Yesterday
Features
Reseeding connections
Jade Montserrat writes on the germination process of her new filmed performance, part of performingbordersLIVE20.
21 October
Reviews
Review: Bubble at Nottingham Playhouse
Lockdown retrospective: Tracey Sinclair reviews James Graham's play which surveys the summer lockdown through the eyes of a new relationship.
Published Yesterday
Reviews
Review: Betrayal at Theatre Royal Bath
Menace à trois: Lilith Wozniak reviews a revival of Pinter's reverse-chronological adultery drama
25 October
the
exeunt
newsletter
Enter your email address below to get an occasional email with Exeunt updates and featured articles.
Reviews
Review: Don’t Go Back to Sleep: The Lockdown Album at HOME, Manchester
Covid culture: James Varney explores the new ways we engage with performance via RashDash's documentary album, listened to from home.
22 October
Reviews
Review: Tools For Change at Traverse Theatre (online)
Thinking inside the box; Angelo Irving writes on three films that explore the experiences of marginalised women, built around plays from the Theatre Uncut archive.
21 October
Advertisement
Features
Angelo Irving
It’s time for artists to speak out against government gaslighting
As artists come under pressure not to bite the hand that feeds them, Angelo Irving argues that it's time to see the government's actions for what they really are.
Rosemary Waugh
Debbie Hannan: “I’m stepping onto the ship at the exact moment it’s hitting the iceberg!”
Traverse Theatre's incoming co-artistic director Debbie Hannan talks class, the fringe, and rethinking theatre's power structures.
Alice Saville
People are theatre’s biggest asset; it’s time to start valuing them
As the UK's leaders use the language of business to justify further devastation to theatre, Alice Saville argues that they're looking for value in the wrong places.
Natasha Tripney
An Open Verdict
Should cases be tried in theatres? Natasha Tripney asks lawyers and theatremakers for their views on the Lowry's role as a temporary courtroom.
Reviews
Review: small hours, IF Oxford and Oxford Playhouse
Broken nights: Lily Levinson writes on Ava Wong Davies and Mandala Theatre's 'unsettling and theatrically imaginative' digital play, exploring sleep disturbance.
21 October
Reviews
Review: Macbeth, Big Telly Theatre
'I hope it works': Amy Borsuk writes on Zoe Seaton's playful, interactive online production of Macbeth, which combines theatre and horror film aesthetics through impressive special effects.
16 October
Reviews
Review: The Last Five Years at Southwark Playhouse
A shattered treehouse: Alice Saville writes on the furious emotional intensity of Jason Robert Brown's story of heartbreak, performed by two actor-musicians.
15 October
Reviews
Review: On The Line, Northumbria University
Bridging the gap: Wambui Hardcastle writes about an online showcase of work by graduating Northumbria University students.
13 October
More Features
14 September
Ava Wong Davies
Rediscovering London, with headphones
As the crowds trickle back into central London, Ava Wong Davies embarks on two headphone-led encounters with the city.
11 September
J N Benjamin
Rachel Nwokoro: “The thing that the arts industry doesn’t do for disabled people is create space and time.”
“We need to imagine the impossible”: after her nomination for a Stage Debut Award, Rachel Nwokoro talks disability and social change.
25 August
Exeunt Staff
We’re taking a little break
...so we can rest, recuperate, and make plans on how to come back stronger.
14 August
Francesca Peschier and Alice Saville
How to go to the Edinburgh Fringe Without Leaving Your House
The fringe is (mostly) cancelled - so here are some highly creative tips on how to recreate the magic, without leaving your home.
Advertisement