Google it: Tangle Theatre's three-man Marlowe gives Emily Holyoake a Faustian experience, she thinks.
Enter your email address below to get an occasional email with Exeunt updates and featured articles.
Poppy Burton-Morgan explores how female-led circus companies are dismantling and reimagining gender on stage.
Ahead of her show 'The Year of the Rooster Monk' at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.
In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.
Alice Saville writes on how theatre offers a way to put the past in dialogue with the present.
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog's new show about Shakespeare's lovers all grown up.
Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list.
In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.
The artistic director of Cardboard Citizens talks theatre and oppression, in response to Nathan Lucky Wood's piece 'The Trouble With Outreach'.
In the first of a trio of articles, Maddy Costa explores The Place's three-pronged artist, producer, and audience development scheme.
As Waterloo's ever-growing arts festival returns for 2018, Alice Saville asks its co-director Mat Burt what it offers young companies.