A vivid plane of toxic femininity: Chris McCormack reviews Druid's revival of Mark O’Rowe controversial play.
"A blast of bitter wilderness": Chris McCormack reviews Conall Morrison's chilly musical adaptation of Georg Büchner’s unfinished classic.
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Rosemary Waugh and Gillian Greer
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women's sexuality on stage.
Bridget Minamore interviews the genre-defying troupe of Australian women of colour.
Part of MIF, Theatre-Rites's new family show uses a cast that includes refugees to explore being different. Aniqah Choudhri speaks to Sue Buckmaster about the complexity behind its storytelling.
As LGBT Pride approaches, Alice Saville asks why London's glut of queer theatre is looking to the past, not the future.
Raucous, colourful and exhilarating: Simon Gwynn reviews Matthew Dunster and Timothy Sheader's al fresco adaptation of Dickens' classic novel.
Horror and humour: Geoff Mills reviews Blanche McIntyre's contemporary version of Titus Andronicus.
Heading towards the green light: Chris McCormack reviews an immersive staging of F. Scott Fitzgerald's famous novel.
"I am still grappling with finding a work so dispiriting when it's been so widely loved" - Salome Wagaine on Branden Jacobs-Jenkins' reimagining of a historical slave narrative.
A first look at Exeunt's second zine, Rites of Spring, plus info on how to get a copy.
How can theatre accommodate neurodiversity? Maddy Costa explores how Art with Heart's touring show 'Declaration' remagines relationships between artist, venue and audience.
The RSC are accepting BP sponsorship - while staging a play about the disastrous impact of climate change. Here's Jess Worth on the campaign to make the RSC Fossil Free.